The next edition of MTC Live will be held

Wednesday, January 13th

3:00pm EST

Click on "MTC Live" to register.

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Elsewhere . . .

Can people really be tone deaf?

At the recent Promise of Music Symposium at the Royal Conservatory of Music in Toronto, the question above was posed to Dr. Daniel Levitin, Professor of Psychology and Neuroscience at McGill University (and best-selling author of the book "This is Your Brain on Music"). Dr. Levitin's response was in…

Online Music Theory Classes

Ashby Musical Enterprises is pleased to announce the beginning of 3 new online courses for those wishing to prepare for music theory examinations with RCM Examinations (Canada) and the National Music Certificate Program (USA). These classes are held once weekly and have a target exam date of May 8th…

Scholarship Funds Available for Future Organists

Each spring the Hamilton Centre RCCO makes available two scholarships of $400 to musicians of limited organ background, who are interested in studying the organ in formal lessons. The Robert Evenden Memorial Fund Scholarship and the College Development Fund (CDF) Scholarship are intended to assist p…

Special Note:  This is the public version of Music Teacher Cafe.  If you are a music educator, please visit Music Teacher Cafe: A Gathering Place for Music Educators.  There you can participate in discussions with colleagues from around the world.  

Private Music Education?

Posted December 8, 2009

As I attended the Promise of Music Symposium at the Royal Conservatory of Music last month, I sat intently listening to the movers and shakers in the music education world. Many of them had accomplished great things, founded music education programs (i.e. El Sistema, Hamilton Philharmonic, etc.), funded music education initiatives, and were currently involved in music education projects around the world. It was a fascinating experience. However, the theme was clear. The solution to increased music education (and therefore social change, a partial but not complete truth, in my opinion) was to lobby governments for funding and inject music education into society through government programs.

Now, I realize that my judgment may be clouded by the following facts. 1. I’m a conservative in my politics, sceptical of government control and government effectiveness. 2. I’m making a living for myself through private music education. Therefore, as I listened, I couldn’t help but ask the following questions in my mind:

Where does all this leave the private music educator? Are we doomed if we don’t fall under the government umbrella? Do viable business models exist in music education that maintain both profit and educational integrity? How do we cooperate and supplement those (usually good) things that are happening in the schools and the community?

I’m just asking.

MTC Live Report

Posted November 27, 2009

The first edition of MTC Live was a success. It was held last Wednesday with a total of 4 in attendance. We had a great discussion and you can read a full report by Eugene Cantera at http://discoverlearnplay.blogspot.com/2009/11/technology-and-teachi.... Thanks for your comments, Eugene.

The next MTC Live is scheduled for Wednesday, December 16th @ 2:30pm EST. Be sure to register at the MTC Live tab on the left side of this blog.

Can people really be tone-deaf?

Posted November 14, 2009

At the recent Promise of Music Symposium at the Royal Conservatory of Music in Toronto, the question above was posed to Dr. Daniel Levitin, Professor of Psychology and Neuroscience at McGill University (and best-selling author of the book "This is Your Brain on Music"). Dr. Levitin's response was interesting.

This is a paraphrase: Lack of exposure to music in utero or before age 8-10 can shut down the music circuitry in the brain. This, however, is extremely rare. Perhaps, 1 in 500? A person with true tone-deafness would find it difficult to differentiate between different voices, since the same perception measures pitch and tone quality! End of paraphrase.

So, although you may think that you are tone-deaf, you are more likely a member of the large group of people in need of training to develop and fine-tune your sense of pitch. If you get a chance to do so, you won't regret it!

MTC Live, Take 2

Posted October 31, 2009

"The value of collaboration between disciplines in the music education profession"

That was the topic for the first ever Music Teacher Cafe Live event two weeks ago.  Unfortunately, no one showed up.  I, however, am still committed to the topic and the concept, therefore, I am giving music teachers a second chance to participate in that collaboration.  These things take time. :)

The next MTC Live will be held on Wednesday, November 18th at 2pm EST.  Sign up at the MTC Live tab on the left side of this blog.  You can also submit a suggestion for a topic or question to be discussed at this event or a future event.  Help me spread the word!

Announcing . . . MTC Live!

Posted October 13, 2009

Music Teacher Café and Ashby Musical Enterprises are pleased to announce the creation of Music Teacher Café Live! While many of you drop in occasionally to Music Teacher Café, the online gathering place for music educators, MTC Live is an opportunity for you to chat in real time using VOIP technology with colleagues around the world. This will be a monthly opportunity to contribute, ask questions and collaborate with other music teachers in both private studios and classrooms. Choral directors, band and orchestra directors, general music teachers, university professors and private lesson teachers of all types are invited to participate.

MTC Live uses Webex™ technology. This online collaboration software enables voice communication and desktop-sharing with opportunity for live interaction and professional presentations. In order to maximize the benefits of this technology, you will need: Computer (with enough RAM to run smoothly),  microphone/speakers (or headset or webcam), high-speed internet connection (DSL or higher)

The first edition of MTC Live will take place on Wednesday, October 21st at 11:00am EDT. This month’s principal topic is “the value of collaboration between disciplines in the music education profession.” Please note that this free event is limited to 25 participants, so be sure to register as soon as possible.

To register, simply click on “MTC Live” in the sidebar of this blog. Complete the form and you will receive a reminder email prior to the event with log-in instructions. Please feel free to forward this notice to anyone who may be interested in participating in this discussion. See you at the event!

Online Theory Class Newsletter

Posted September 9, 2009

Dear Friends,

I trust that each of you had a wonderful summer of relaxation. Like it or not, the school year has arrived, and with it, the opportunity to accomplish great things musically. With online classes from Ashby Musical Enterprises, you can do that anywhere from the comfort of your own home.

This fall, I’m pleased to offer a full line-up of classes covering rudiments, harmony, and history. These classes are designed to fulfill the requirements of RCM Examinations (Canada) and the National Music Certificate Program (US).

Through WebEx technology students who take these classes are able to function as in a regular classroom. Live audio interaction, demonstration, and assessment are all incorporated into one convenient package allowing anyone with a computer and high-speed access to participate from home (or even on vacation!).

The following chart explains the theory co-requisites for RCM and NMCP examinations:

Grade 5

Basic Rudiments

Grade 6

Intermediate Rudiments

Grade 7

Advanced Rudiments

Grade 8

Advanced Rudiments

Grade 9

Basic Harmony

History 1

Grade 10

Intermediate Harmony

History 2

ARCT

Counterpoint

Advanced Harmony and Counterpoint

Analysis

History 3

Tuition Tax Credit/RESP Eligibility

1. Tax Deduction Eligibility: Canadian students studying practical or theoretical subjects at a Grade 9 level or above (including music history and harmony courses), in a recognized curriculum like The Royal Conservatory of Music, are now eligible to claim their lesson and examination fees. In addition, students taking post-secondary courses may transfer up to $5000 per year to a parent. A person owing federal and provincial income tax can save approximately one-fifth of the expense claimed. The full ruling from the Tax Court of Canada can be found here. Therefore, at the end of the 2009 tax year, I will be issuing receipts for fees paid to me that fit the above-mentioned criteria.

2. RESP Eligibility: Funds from Canadian Registered Education Savings Plans (RESPs) may now be used to support studies in music at the Grades 9, 10, and ARCT levels (including theory classes, books, and instruments). Talk to your RESP provider for more information.

To assist me in my planning, would you please register your interest in these courses or others, by clicking here (no obligation implied), or pass this on to someone who may be interested?

Sincerely,

Scott Ashby

Ashby Musical Enterprises

2397 Sutton Drive, Burlington, ON L7L 7N2

Ph.: 905-963-1268 Fax: 905-592-2077

Cell: 905-630-2179 Email: scott@ashbyme.com

Web: http://www.ashbyme.com

Blog: http://musicteachercafe.com

For more information on online classes, please visit the Online Classes page.

We're Moving!

Posted July 22, 2009

In order to facilitate greater involvement and collaboration between music educators (which was the initial intent of MTC), I'm moving beyond a simple blog to a social network format.  Blog posts and discussions will still be available, but also live chat, videos, photos, your own profile, and you can even add your own content.  Looking forward to the possibilities . . . 

I invite you to join me at http://musicteachercafe.ning.com.  See you in the new neighbourhood!

The Whole Musician

Posted July 7, 2009

Studying the piano instilled a strong sense of discipline. It taught me to be focused, organized and that if I worked hard enough, I would succeed.  Music does something for your whole being. I wish I could go back and do it all again - those were some of the best years of my life! 

- Mrs. Frances Hernick (85 yrs old) in an interview with the Royal Conservatory

Research Questions

Posted June 29, 2009
A few months ago, one of my readers emailed the following questions for research purposes.  I thought they would make for good discussion here:
1.  Which of these topics is the most difficult for you to teach elementary age music students?

Introducing Instruments ______

Music Theory ______  If so, please choose specifically:  Chords ____ Scales ____ Musical Form ____ Intervals ____ Rhythms ____ Notation ____

Composers lives and works ______

Music Appreciation ______

Songs ______

Ensembles (including quartets, barbershop quartets, the orchestra, choirs) ______

2.  What if there was a teaching curriculum that covered off on a wide range of basic music theory to more obtuse composers all delivered on DVD.  How interested would you be in using that type of resources?
Unlikely ______
Likely ______
Somewhat Likely ______
Very Likely ______
Have you attended MENC's national conference? if so, is it mostly performance based?  or resource heavy?

Expectations

Posted January 30, 2009

The following post was originally written for and posted at http://hamiltonhaltonormtaeducationblog.blogspot.com/, a new blog for parents and students of teachers in the Hamilton-Halton region of the Ontario Registered Music Teachers' Association.

With every new year comes a set of expectations and hope for what we can accomplish in the future.  As a student, or the parent of a student, you too have expectations for the new year.  Expectations motivate us.  They drive us and cause us to invest time and money into the dream of being able to perform at a high level.  This is a good thing.  As music teachers, we’re thankful for expectations.  They keep us in business.

The expectations are not fruitless.  Many of our students excel and go on to become professional musicians, church musicians, teachers and choristers.  Many more maintain their skills throughout life and play “for their own amazement.”  However, there are a few who fall off the wagon prematurely and fail to achieve the expectations they once had.  While there may be a variety of reasons for these students wandering away, more often than not, it is a failure to understand or meet the expectations of their teacher.  Below is a partial list of expectations that professional music teachers have of their students and/or parents.

Practice

There was a time when this was a given.  Music lessons meant practicing.  But with so many different activities eating up our lives (soccer, swimming, dance, drama, etc.), music lessons are sometimes lumped together with the other weekly activities as if they are just another time slot in the calendar.  Soccer practice is a time for practising soccer skills.  Swimmers improve their stroke and endurance during swimming lessons.  Students of dance progress during their dance class.  Musical progress, however, cannot take place exclusively during a 30 or 45-minute lesson.  Music lessons are a time for evaluation, correction, instruction, and planning.  The majority of the learning takes place in regular practice sessions at home.  When a student comes to the lesson ready and eager to display to the teacher what they have accomplished, the lesson is exceedingly valuable.  The teacher can help the student take the next step in perfecting their performance, or push on to new repertoire.  Lessons are not intended to be practice sessions.  If they are, progress occurs at a snail’s pace and lesson fees are often wasted.

Perform

Music is a performing art.  As teachers, we expect our students to perform.  Some teachers have studio recitals, master classes, and group lessons.  ORMTA sponsors many recitals and competitions throughout the year.  The Burlington Rotary Music Festival is held each November, providing an opportunity to showcase the efforts of students.  Though some students will experience some initial nervousness about performing, this can be overcome or controlled over time.  Don’t hide your accomplishments.  We want to hear you perform!

Follow policy

As professionals, we each have a set of guidelines that enables us to operate an efficient and fair studio.  In order to maintain an effective relationship between teacher, student and/or parents, we expect you to pay for lessons and classes on time, according to the terms of our policies.  We expect you to be familiar with and abide by our policy for missed lessons.  Please contact your teacher if you do not have a copy of their policies.  Remember that communication prevents many misunderstandings.

 Individual teachers may have other specific expectations for students.  While we will likely not discuss our differences in a public forum such as this, I have tried to represent (unofficially) what we as professional music teachers think is essential to a student’s success.  All the best as you strive to achieve your expectations in 2009!

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